This week, we check in with Jessie Barr, director of SOPHIE JONES. We talked to Jessie at the beginning of the pandemic and wanted...
This week, we’re discussing the streamlined “French Hours” shooting schedule Marielle Heller used on A Beautiful Day in the Neighborhood, which made it feasible...
This week, we chat about the recent DGA report on female and minority TV directors and how they directed 50% of all episodic TV...